LATE FIGURATIVE PAINTINGS
Chubarov's figurative paintings are characterized by strong, often aggressive, multi-figure compositions, with the exception of scenes of rural life that he only painted from time to time. Very often naked bodies can be found facing each other in multi-figure scenes in such a way that they seem to compete for the space on the canvas. These works are so imbued with the spirit of struggle that sometimes there is a sense of a heated conflict between the sexes. That said, this violent convergence is also marked by an erotic element. This environment is defined not only by nudity, but also by the aggressive and strong-willed poses of the figures. This, in the words of Hans Hofmann, is a good "push" and "pull" relationship: an action of force and its subsequent expression determine the mood of these paintings. All of this is a game of bodies that is similarly reflected in the ink works of the last period.
Chubarov's figurative paintings are characterized by strong, often aggressive, multi-figure compositions, with the exception of scenes of rural life that he only painted from time to time. Very often naked bodies can be found facing each other in multi-figure scenes in such a way that they seem to compete for the space on the canvas. These works are so imbued with the spirit of struggle that sometimes there is a sense of a heated conflict between the sexes. That said, this violent convergence is also marked by an erotic element. This environment is defined not only by nudity, but also by the aggressive and strong-willed poses of the figures. This, in the words of Hans Hofmann, is a good "push" and "pull" relationship: an action of force and its subsequent expression determine the mood of these paintings. All of this is a game of bodies that is similarly reflected in the ink works of the last period.
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